Prom Night | 1982

In 1982, when I was a member of the New Mexico Artist-In-The-Schools program, I taught photography at Robertson High School, in Las Vegas. The school principal asked me if I would like to photograph students at the senior prom. Without hesitation, I said yes. On the night of the prom, I set up lights and my camera. The couples posed themselves. I asked each couple to look into the lens, but gave no other instructions. A fancy chair—Peacock I think it’s called—and background paper were in place when I got there.

Forty years later, in 2022, I was invited to exhibit the prom photos at New Mexico Highlands University, also in Las Vegas. When I looked at the images after all the time that had passed, I realized the young people frozen in my photos were now close to sixty. The girls were elegant and the boys were entertaining in their fantasy getups. I try to imagine who these young people were and how their lives evolved in the ensuing decades.

Henry Holmes Smith and Cameraless Photography

Uncle Henry

Henry Holmes Smith, Bloomington, Indiana, 1973

Henry Holmes Smith taught photography at Indiana University, where he founded the first MFA program in Photography in the country. Henry had a unique way of making images, no doubt influenced by his former career as a cartoonist. He would use a thick, pitted and scratched piece of plate glass and draw on it with light and dark Caro Syrup. Under darkroom safe lights, he would place a piece of photographic paper behind the glass, stand the glass upright, causing the syrup to run, and then flash the sensitized paper with light. He would develop the print, and if he liked the results, would have it copied onto 4×5 film, which he could reproduce. He called these images Refraction Prints.

Below are ten of Henry’s Refraction Prints that are from Portfolio II: The Work of Henry Holmes Smith, produced and published by the Center for Photographic Studies, 1973.

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HHS-signature

Anne Noggle: A Unique Talent

The Effortless Honesty of Anne Noggle

Anne-Noggle

 Anne Noggle, ca. 1943 and ca. 1987

Anne Noggle was irascible, willful and tough. During WWII, Anne was a WASP (Women’s Air Service Pilot), towing targets that were used for artillery practice behind her plane. After the war, she worked as a crop duster before taking up photography. She was a student of Van Deren Coke’s at the University of New Mexico and later served as Photography Curator at the Museum of Fine Arts, Santa Fe.

Her photographs, specifically, her self-portraits, are among the most significant photographic art of the late 20th Century. Using herself as the subject, they address aging, self-image and emotional vulnerability in women. Noggle’s work, in my opinion, relates well to Cindy Sherman’s “Film Stills,” self-portraits commenting on stereotypical roles of women in 1950s films. Together, the photographs of Sherman and Noggle would make a splendid show. Below is a selection of Anne’s photographs.